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c. 1445 – May 17, 1510. Italian painter.

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BREENBERGH, Bartholomeus
The Preaching of St John the Baptist

ID: 05363

BREENBERGH, Bartholomeus The Preaching of St John the Baptist
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BREENBERGH, Bartholomeus The Preaching of St John the Baptist


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BREENBERGH, Bartholomeus

Dutch Baroque Era Painter, ca.1598-1657 Dutch painter, draughtsman and etcher. He was one of at least eight children of a wealthy Protestant family in Deventer, where his father was the town pharmacist. After his father's death in 1607, the family left Deventer, probably moving to Hoorn. No artist then living in Hoorn could plausibly have been Breenbergh's teacher, and given the fact that his earliest works reveal the stylistic influence of the Pre-Rembrandtists, it is more probable that he was apprenticed in Amsterdam. In 1619 he was called upon to give testimony in Amsterdam: on this occasion his profession was listed as 'painter'. His oeuvre can be divided stylistically and iconographically into two distinct groups. He belonged to the first generation of DUTCH ITALIANATES, northern artists who travelled to Italy in the 1620s and were inspired by the light and poetry of the southern landscape. The work of this period consists of numerous Italianate landscape drawings and paintings.  Related Paintings of BREENBERGH, Bartholomeus :. | Joseph verkauft Korn | Ruins of the City Walls, near Porta S Paolo, Rome dsf | Joseph Selling Wheat to the People dsf | The Prophet Elijah and the Widow of Zarephath | The Finding of Moses |
Related Artists:
BRUSASORZI, Domenico
Italian painter, Veronese school (b. 1516, Verona, d. 1567, Verona)
Petrov-Vodkin, Kozma
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BUYTEWECH, Willem
Dutch Baroque Era Painter, ca.1591-1624 Dutch painter, draughtsman and etcher. Although he was born and died in Rotterdam, stylistically he belongs to the generation of young artists working in Haarlem at the beginning of the 17th century. He was nicknamed 'Geestige Willem' (Dut.: 'inventive, or witty, Willem') by his contemporaries, and during his short career he made an important and highly personal contribution to the new approach to realism in Dutch art. He was one of the first to paint interiors with merry companies






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